Sunday, November 17, 2024

Sapaada Bhakshya | The Ratio of 1.25 (Savaai)

This is the celebrated prasadam of Satyanarayana Vrata.


The most delicious prasadam in the World.

Due to its ghee content, not easily got when we were young. And if made correctly, all astikas go mad about it.

The characteristic is the ratio of 1.25. You can make it at any quantity, but each ingredient should be 1.25 of the original measure taken.

Ingredients (as per the shloka)

1. Sooji (or wheat atta) - The shloka mentions Godhooma Choorna. In absence, Rice Rava can be used, but is seldom used.

2. Sugar/Jaggery (as per the shloka)

3. Cut ripe bananas (The variety used will make taste difference)

4. Ghee

5. Milk

Note - There is no mention of the procedure. Hence, there are procedural variations in different communities as to how this must be prepared.

Technical Background

Lets remind ourselves a little bit about density and volume. Less dense items will occupy more volume. Which also means that 1.25 cup of sooji or wheat atta will be lighter than 1.25 cup of sugar. 

Hence the whole quantity is a game of ratios and not of weights.

For the Satyanarayana Pooja we had at our place i used 3 and 3/4 cups of all ingredients. This is assuming I have a huge cup which can hold 3 standard cups of ingredient.

Procedure

Have your bath and complete your prayers. Clean the kitchen area.

Mix all the ingredients in the vessel meant for preparing prasadam. If its a thick bottomed then better. Keep it big.

Post mixing start the flame and stir continuously. Once it gets heated, the reaction starts.

While stirring, keep a devotional frame of mind. Play some devotional piece and sing along. I had the Suprabhatam track from Rocketry running, and interestingly, the whole process took as much time as the Suprabhatam...i.e. 30 mins. I had frankly expected more time.

So what is the point till when it needs to be cooked?

20 minutes into the process, the ghee started coming out copiously. I kept stirring it on medium heat till i realised that the sapaada started leaving the sides of the vessel easily, as well as started slipping off the ladle. This is when it is done.

Then close the flame,  bring it to the side of the vessel and scoop out additional ghee as much as possible.

Leave the sapaada in the vessel and cool it there, before taking it out. This will ensure that the excess ghee which remains is re-absorbed and gives the sapaada a better texture and taste.

The uniqueness of this process - 

1. The sooji is not roasted

2. Water/liquid volume is same as sooji  volume. When we make Sheera, we add more water, ending up with a longer cooking time

3. Sugar is added along with all ingredients. This helps keep the moisture consistent and helps cook quickly.

The choice of banana/Rambhaphalam/Kadaliphalam

The taste and aroma majorly are enhanced due to the quantity of ghee as well as the choice of banana. People in GSB community know that only puttubale/elakki or rasabale should be used. But there is no shastrokta opinion in this matter. The thumb rule is to use Rambhaphalam/Banana which is available locally.


In Mumbai, due to the lack of elakki or rasabale, people used to use ripe Pacche Bale/Green Banana and this in my opinion, gives sapaada a heavenly taste. I am yet to prepare it with rasabale, and will add a record of my observation here, when i will make it for the next Satyanarayana Pooja.

Satya Dharma

Apart from all of this, lets also remember that Satyanarayana Vrata is a reminder for us that Hindu Dharma is Satya Dharma. Satya is Narayana. Truth as we understand is only about truth in speech, but it extends to all facets of our life. Our itihaasas and practices were created to help us practice Satya Dharma and since we forgot this, our miseries started. 


The Vratam is a reminder to us that its is not as difficult to lead a good life following Satya Vrata. The anticipated hardships are anyways going to come only to spoil our life and legacy. We need to get all the right ingredients and cook them in this journey of life to get the prasadam of contentment, which Sapaada Bhakshya shows us a glimpse of.

Om Namo Narayanaya.

Friday, October 25, 2024

Walukeshwara - Tracing Forgotten History

Time erodes everything. Re-search is a continuous process and aims at re-finding and preserving items and ideas which need to be passed on for times to come.

People in Mumbai who have looked up the history of Walkeshwar/Walukeshwara, would probably be aware of a few things and few people, especially Shri. Rama Kamath, who re-built the temple which is called Walkeshwar today.

The objective of this research is to exhume some forgotten details of importance about the episode of Walukeshwara in the history of Mumbai. archive.org and a couple of other sources have helped trace the missing links and build a fair picture of what will be seen in this article.

Walkeshwar - The present temple

I was curious about Shri. Rama Kamath - what was his Gotra, his Kuladevata etc. as any grounded fellow Saraswat would be. A visit to the temple, close to Shri. Walkeshwar Kashi Math, made me discover these inscriptions, which are not too old, but have crucial pointers.

 
Translation - During the period of the Shilahara rule in the 12th Century C.E. , a Shiva temple was constructed by a leader of Gomantaka Dwijas (Dwijas from modern Goa), named LakshmaNa (Prabhu), hence the temple was known as LakshmaNeshwara. Eventually the temple was attributed to the son of Sumitra i.e., LakshmaNa.

With the passage of time and arrival of the cruel firangis (Portuguese) in Mumba Island (Mumbai), it was destroyed and reduced to a pile of stones. 

Eventually, Mumbai was passed on to the East India Company (referred as the English Trade Group). A pious, good natured person named Shri. Rama Kamath, from Saraswata kula and Gaargya Gotra; a great businessman and the Treasurer, Commander of the Army of the East India Company; who consecrated the temple of Samaliyalal (Krishna in Gujarati) and Venkatesha in Fort. 

Three years after the Vikrama Varsha named Nanda, he performed the Jeernoddhaara (re-consecration) of this Shiva Temple (in 1715 C.E.), which is has attained pious fame today as the Walukeshwara. 

In front of whom the whole World appears as a speck of sand, my humble prostration to Walukeshwara (The Lord made of sand), who is the ocean of kindness and peace.

Notes - 

1712 C.E was Nanda naam samvatsara, 3 years post that is 1715 C.E.
The spot where the temple currently stands was Lakshmaneshwara and not Walukeshwara. But it has gained that name over time.
Original Walukeshwara temple was present in the spot where current Raj Bhavan stands. The ruins were moved to museums in London, before constructing a house, by the East India Company. This is currently the residence of the Governor.

Samaliyalal is one of the old Gujarati names for Krishna, which is associated with his complexion - Shyam. Saanvariya is the equivalent which we all are aware of.

The Samaliyalal temple is a separate temple which was a community one, supported by members of GSB and Gujarati community. Venkatesh temple was basically the family shrine of Shri. Rama Kamat. With time, his estate was eventually dissolved and the family deities came to stay along with Samaliyalal. Kalikaala was prabala and the temple premises were appropriated by a Gujarati Pandit. This was eventually reclaimed and given back to GSB samaj due to efforts by the community, spearheaded by my grandfather, Shri. Hariappa Shenoy.

Today its a small temple, which needs urgent repairs. 





Tuesday, May 21, 2024

Paitruka

Gotra-Pravara: Vaasistha-MaitraaVaruna-Kaundinya

Kuldeva: Ramnath Shanteri Kamakshi, Ponda (originally Lotavali)

Lakshmana Shanbhag (Mid 18th Century)
Resident of Mulki/Kadekara (disputed)
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Rukmayya Shanbhag (Late 18th Century)
Migrated to Kapu (Udupi) and founding father of Kapu Shenoy Family. Prospered in Kapu. 
Became the Patel and the descendants of his first son are still holding the position.
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Ganapayya Shanbhag (Mid 19th Century)
Inherited/acquired lands and build our Daiva Gudi to Pilli Chamundi. 
Might have been involved in litigations and lost his property, as seen from most of the descendants having migrated to Bombay.
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Madhava Shanbhag (Late 19th Century)
Had a petty shop. Died in penury, probably brought by property division or personal issues, leaving behind 2 young sons. Inherited property having the Daiva Gudi, which was mortgaged to Jaina money lenders.
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Kaup Hariappa Madhav Shanai (1913 - 1958)
Migrated to Bombay as a boy, worked hard and became a hotelier, confectioner and politician. 
Re-acquired mortgaged lands in Kapu and rebuilt Daiva Gudi. Did great service to Kashi Math Samsthan and helped countless people.
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Prabhakar Shenoy (1947 - 2021)
Graduated in science, became self-employed in his surgical business. Fought for the dharma always. Talented writer, speaker and singer. Led a life of hard work, respect and raised his family with honesty.
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Shrinath Shenoy (1988 - present)
Trained to be an engineer, worked in Pune and moved to Udupi, the story continues…:)